By the end of the last century, jazz music was considered by many to be obsolete and uncool, a genre appreciated only by out of touch white men with deeply questionable taste. And yet, by 2019, a new generation of UK jazz musicians was selling out major venues and appearing on festival line-ups around the world. How has UK jazz rehabilitated its image so totally in twenty-five years? And how did it ever become uncool in the first place?
Reaching back to the roots of jazz as the 'unapologetic expression' of oppressed peoples, shaped by the forces of slavery, imperialism and globalisation, André Marmot places this new wave within the wider context of a divided, postcolonial Britain navigating its identity in a new world order. These artists have crafted a sound which reflects the nation as it is today-a sound connected to the very origins of jazz itself.
Drawing on eighty-six interviews with key architects of this jazz renaissance and those who came before them from Shalbaka Hutchings, Nubya Garcia and Moses Boyd to Gilles Peterson, Courtney Pine and Cleveland Watkiss Unapologetic Expression captures the radical spirit of a vital British musical movement
Size: 160 X 244mm (hardback with dust jacket)
Pages: 432
Publisher: Faber & Faber
