{"product_id":"the-wire-magazine-513","title":"The Wire Magazine #513","description":"\u003cp\u003eInside:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAmerican avant-garde jazz pianist, composer, and bandleader \u003cstrong\u003eMatthew Shipp\u003c\/strong\u003e takes the cover slot on this month's Wire, and inside he talks to Phil Freeman about his long and prolific career. Elsewhere - \u003cmeta charset=\"utf-8\"\u003e Italian composer and ambient musician \u003cstrong\u003eGigi Masin\u003c\/strong\u003e, writer, broadcaster and historiographer \u003cstrong\u003eEdward George\u003c\/strong\u003e, and a history of the prepared piano.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Invisible Jukebox tests the ears of \u003cmeta charset=\"utf-8\"\u003eambient \u0026amp; psychedelic folk musician \u003cstrong\u003eLiz 'Grouper' Harris\u003c\/strong\u003e, there's a chat with London-based \u003cmeta charset=\"utf-8\"\u003eelectro-acoustic experimental trio \u003cstrong\u003eTears | Ov\u003c\/strong\u003e, and a 16 track cover-mount \u003cstrong\u003eTapper\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eExpect:\u003c\/p\u003e\n\u003cp\u003eWire has brought us monthly adventures in sound and music since 1982. Erudite, thoughtful, and always playing in the margins.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSize: 230 x 280mm\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Central","offers":[{"title":"Default Title","offer_id":58648753209727,"sku":"9770952068144513","price":7.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2567\/7220\/files\/The_Wire_Magazine_513.jpg?v=1791633629","url":"https:\/\/coloursmayvary.com\/products\/the-wire-magazine-513","provider":"Colours May Vary","version":"1.0","type":"link"}